The Young Man’s Leisure Guide, Ch.1: On Enjoying a Driveway, Installment No. 1

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Ford is practicing basic board maneuvers. He circumnavigates the driveway in rough squares of measured effort, propelling himself faster each time. His legs are slightly bent and his form conveys assurance and ease, but his arms carry some tension. They coil upwards toward lifted shoulders, bearing fear’s weight in two invisible buckets. All the while, joy and satisfaction beams through his proud, young face.

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Chas soars above the ground, speeding faster than the sound of his rolling bearnings. He clicks over twigs in the driveway, sometimes rolling over the board as it stops dead beneath him. He laughs, I laugh. His palms are black from asphalt soot and his nubby toes are fearlessly worn smooth and black, too. I can hear him acting out an action scene, his voice trails behind him as he flies across the blacktop, exaggerated cries of help and pleas for mercy, ending with a thud as he slams into the woodpile, throwing himself in a heap onto the ground. He lies spread-eagle beside his skateboard, looking up into the walnut boughs above him, swaying in the hot afternoon breeze.

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After a three minute meditation, watching the leaves flutter and sway, he mounts his hovercraft and soars back across the driveway, his own little cosmos

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to flail himself into the jasmine, in another utterly romantic gesture of bravado. His heart just couldn’t beat any louder.

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Ford and I laugh again. We follow no particular path, only minding not to run in to each other. Sometimes we glide just so close, knock knuckles, smile again. There is no two o’clock school traffic on our street to mark our passage through the afternoon. Chas is in his own world but he sometimes shows us where he’s been. Sometimes he shows us where he’s going. And then, like us, you can catch him just gelling with the afternoon. At that moment you know he’s off any agenda and he’s just somewhere in the middle of a summer afternoon in the driveway.

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Museum Possible

Above my expectations, the MOMA trip was something I can’t believe we didn’t try sooner. But our mental armor was strong that day. We pared the visit down to a Braque and that huge dog painting in the second floor foyer (hell if I remember; I was too busy trying to convince Chas that, even though the paint looked like dabs of toothpaste, he indeed could not touch it)…

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And then, the Matisse exhibit. For both boys, a treat: nothing but nummies, in all dimensions. Having found our medium, our tether to real life, we were set. All we had to do was circulate smoothly without shouting too many body parts and we’d eventually hit the outdoor mezzanine. It was perfect! Couldn’t have dreamed up a better recess.

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After knocking out the ya-ya’s, we had pizza downstairs.

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The MOMA heats up a good pint-sized pepperoni pizza and the kids devoured it. We swilled a few pints of beer and then Damon and Dwight (Damon’s brother) took the kids across the street to Yerba Buena Gardens so that I could see the rest of the Matisse exhibit in peace.

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I think the kids, mostly Ford, would have appreciated that second half of the exhibit, being a bold departure from the previous body of work. Matisse had begun cutting pieces of paper to rearrange in composition for his larger paintings. And then, down the hall, the “Jazz” series of prints, all laid out on the white table–what have we all come to know better as the work of Matisse?

Still, what’s best for the boys is plenty or room in the schedule for freeform fun. And fortunately, what’s best for them worked out to be best for me, too. Thanks, D 🙂

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we’re thinking of buying tickets to hell

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We’re a little culture starved around here, snug within the benign mycelium of silicon valley. Granted, if I’d just know where to look around here, I’d find something interesting on exhibit. But the truth is that I’m just acheing to go to a fussy art museum where I can feel the music of terrazzo under my feet and experience air conditioning without a trace of retail and ride that fabulous chase from security guard to security guard, close behind Chas, always on the fringe of expulsion as he tries to weave fast arcs around freestanding sculptures. Art is, after all, mostly about the personal experience one has with the piece, and with Chas there is no exception. He loves sculpture, it FASCINATES him to discover giant colorful pillars shooting from the ground or brushed-steel geometry shining in the sun. OH! The joy! Must scream and run circles around them all!

There’s one exhibit in particular that I’m planning on taking them to see sometime soon, the Matisse exhibit at the SFMOMA. Ford is a collage guru and I figure it might provide a springboard for translating some of his 2D work into a new dimension; specifically, creating something 3-dimensional that his younger brother might be tempted to play with (especially if it’s made of paper or papier-mache). But again, really, I’m just sad that we haven’t been able to go for so long, for fear that we might die during the struggle to patiently corral our children politely through a quiet space for art.

I think it’s more important that they experience art from a very young age for several reasons. First, I think it’s fun for them to see how some people have translated emotions or themes into art. Secondly, I like for them to understand the value and purpose behind the art process. Thirdly, I want them to grow to respect the work of others as well as their own art, because the enduring value of art is that it has the power to change the future in many ways: it can alter a person’s perspective, create controversy, quiet a restless mind, you get the idea. Lastly, I want them to evolve quickly within the rigid confines of the art museum institution so that they naturally respect that paticular environment as they would a shrine, an that is mostly because I’d LIKE TO ENJOY THE MUSEUM, TOO.

So, this weekend I’ve requested we pay the MOMA a visit, take our chances, hope for the best. There’s a book I heard about that recommends certain tips for taking 5 year-olds and older children to the museum, How to talk to children about art: is the title. As an art teacher, I feel qualified enough to come up with my own suggestions (which, in all it’s conceit, is actually true) but I’m still curious about what it has to say and am ordering it anyway.

Wish us luck! Double that for the MOMA.